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A Lute of Jade : Selections from the Classical Poets of China

by L. Cranmer-Byng

Pages
about 70
Category
Literature & Fiction
Language
English
Reading time
77 min at 250 wpm
Start readingThe whole book, as cards or one word at a time. 43 min at 450 wpm in Read mode.

From the opening

Ssu-K`ung T`u Return of Spring The Colour of Life Set Free Fascination Tranquil Repose The Poet's Vision Despondent Embroideries Concentration Motion

The object of the Editors of this series is a very definite one. They desire above all things that, in their humble way, these books shall be the ambassadors of good-will and understanding between East and West -- the old world of Thought and the new of Action. In this endeavour, and in their own sphere, they are but followers of the highest example in the land. They are confident that a deeper knowledge of the great ideals and lofty philosophy of Oriental thought may help to a revival of that true spirit of Charity which neither despises nor fears the nations of another creed and colour. Finally, in thanking press and public for the very cordial reception given to this Series, they wish to state that no pains have been spared to secure the best specialists for the treatment of the various subjects at hand. L. Cranmer-Byng. S. A. Kapadia. Northbrook Society, 185 Piccadilly, W.

A little under three hundred years, from A.D. 618 to 906, the period of the T`ang dynasty, and the great age of Chinese poetry had come and gone. Far back in the twilight of history, at least 1,700 years before Christ, the Chinese people sang their songs of kings and feudal princes good or bad, of husbandry, or now and then songs with the more personal note of simple joys and sorrows. All things in these Odes collected by Confucius belong to the surface of life; they are the work of those who easily plough light furrows, knowing nothing of hidden gold. Only at rare moments of exaltation or despair do we hear the lyrical cry rising above the monotone of dreamlike content. Even the magnificent outburst at the beginning of this book, in which the unhappy woman compares her heart to a dying moon, is prefaced by vague complaint:

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