Library / Literature & Fiction

A Second Book of Operas

by Henry Edward Krehbiel

Pages
about 204
Category
Literature & Fiction
Language
English
Reading time
3.7 h at 250 wpm
Start readingThe whole book, as cards or one word at a time. 2.1 h at 450 wpm in Read mode.

From the opening

The predecessors of M. Saint-Saens, Voltaire and Rameau, Duprez and Joachim Raff, History of Saint-Saens's opera, et seq.--Henri Regnault, First performances, As oratorio and opera in New York, An inquiry into the story of Samson, Samson and Herakles, The Hebrew hero in legend, A true type for tragedy, Mythological interpretations, Saint-Saens's opera described, et seq.--A choral prologue, Local color, The character of Dalila, et seq.--Milton on her wifehood and patriotism, "Printemps qui commence," "Mon coeur s'ouvre a ta voix," Oriental ballet music, The catastrophe,

Meritoriousness of the book of Goldmark's opera, Its slight connection with Biblical story, Contents of the drama et seq.--Parallelism with Wagner's "Tannhauser," First performance in New York, Oriental luxury in scenic outfit, Goldmark's music,

Modern opera and ancient courtesans, Transformed morals in Massenet's opera, A sea-change in England, Who and what was Salome? Plot of the opera, Scenic and musical adornments, Performances in New York, (footnote).

Story of the opera, et seq.--The "Bell Song," Some unnecessary English ladies, First performance in New York, American history of the opera, Madame Patti, Miss Van Zandt Madame Sembrich Madame Tetrazzini, Criticism of the drama, The music,

The twin operas, "Cavalleria Rusticana" and "Pagliacci," Widespread influence of Mascagni's opera, It inspires an ambition in Leoncavallo, History of his opera, A tragic ending taken from real life, et seq.--Controversy between Leoncavallo and Catulle Mendes, et seq.--"La Femme de Tabarin," "Tabarin" operas, The "Drama Nuevo" of Estebanez and Mr. Howells's "Yorick's Love," What is a Pagliaccio? First performances of the opera in Milan and New York, The prologue, et seq.--The opera described, et seq.--Bagpipes and vesper bells, Harlequin's serenade, The Minuet, The Gavotte, "Plaudite, amici, la commedia finita est!" Philip Hale on who should speak the final words,

How Mascagni's opera impressed the author when it was new, Attic tragedy and Attic decorum, The loathsome operatic brood which it spawned, Not matched by the composer or his imitators since, Mascagni's account of how it came to be written, et seq.--Verga's story, et seq.

A short sample. Read the whole book

More to read

Public-domain text from Project Gutenberg, Standard Ebooks or a similar open source. Copyright differs between countries. Rights holder? See our takedown process.