Library / Literature & Fiction

At the Sign of the Cat and Racket
- Pages
- about 78
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 86 min at 250 wpm
From the opening
Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
Petit-Lion, there stood formerly one of those delightful houses which
enable historians to reconstruct old Paris by analogy. The threatening
walls of this tumbledown abode seemed to have been decorated with
hieroglyphics. For what other name could the passer-by give to the Xs
and Vs which the horizontal or diagonal timbers traced on the front,
outlined by little parallel cracks in the plaster? It was evident that
every beam quivered in its mortices at the passing of the lightest
vehicle. This venerable structure was crowned by a triangular roof of
which no example will, ere long, be seen in Paris. This covering, warped
by the extremes of the Paris climate, projected three feet over the
roadway, as much to protect the threshold from the rainfall as to
shelter the wall of a loft and its sill-less dormer-window. This upper
story was built of planks, overlapping each other like slates, in order,
no doubt, not to overweight the frail house.
One rainy morning in the month of March, a young man, carefully wrapped
in his cloak, stood under the awning of a shop opposite this old house,
which he was studying with the enthusiasm of an antiquary. In point of
fact, this relic of the civic life of the sixteenth century offered
more than one problem to the consideration of an observer. Each story
presented some singularity; on the first floor four tall, narrow
windows, close together, were filled as to the lower panes with boards,
so as to produce the doubtful light by which a clever salesman can
ascribe to his goods the color his customers inquire for. The young man
seemed very scornful of this part of the house; his eyes had not yet
rested on it. The windows of the second floor, where the Venetian blinds
were drawn up, revealing little dingy muslin curtains behind the large
Bohemian glass panes, did not interest him either.
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