Beatrix

From the opening

It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature.

In “The Great Man of the Provinces in Paris” some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d’Arthez. But in the present volume, “Beatrix,” he used the characteristics of certain persons, which were recognized and admitted at the time of publication. Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture’s drawing. Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d’Agoult, Liszt, and the well-known critic Gustave Planche.

The opening scene of this volume, representing the manners and customs of the old Breton family, a social state existing no longer except in history, and the transition period of the vieille roche as it passed into the customs and ideas of the present century, is one of Balzac’s remarkable and most famous pictures in the “Comedy of Human Life.”

France, especially in Brittany, still possesses certain towns completely outside of the movement which gives to the nineteenth century its peculiar characteristics. For lack of quick and regular communication with Paris, scarcely connected by wretched roads with the sub-prefecture, or the chief city of their own province, these towns regard the new civilization as a spectacle to be gazed at; it amazes them, but they never applaud it; and, whether they fear or scoff at it, they continue faithful to the old manners and customs which have come down to them. Whoso would travel as a moral archaeologist, observing men instead of stones, would find images of the time of Louis XV. in many a village of Provence, of the time of Louis XIV.

A short sample. Read the whole book

More to read

• "Captains Courageous": A Story of the Grand BanksRudyard KiplingLiterature & Fiction191 pages
• "Captains Courageous": A Story of the Grand BanksRudyard KiplingLiterature & Fiction191 pages
• "I Say No"Wilkie CollinsLiterature & Fiction428 pages
• "Miss Lou"Edward Payson RoeLiterature & Fiction409 pages
• "Speaking of Operations--"Irvin S. CobbLiterature & Fiction37 pages