Beauty and the Beast, and Tales of Home

From the opening

We are about to relate a story of mingled fact and fancy. The facts are borrowed from the Russian author, Petjerski; the fancy is our own. Our task will chiefly be to soften the outlines of incidents almost too sharp and rugged for literary use, to supply them with the necessary coloring and sentiment, and to give a coherent and proportioned shape to the irregular fragments of an old chronicle. We know something, from other sources, of the customs described, something of the character of the people from personal observation, and may therefore the more freely take such liberties as we choose with the rude, vigorous sketches of the Russian original. One who happens to have read the work of Villebois can easily comprehend the existence of a state of society, on the banks of the Volga, a hundred years ago, which is now impossible, and will soon become incredible. What is strangest in our narrative has been declared to be true.

We are in Kinesma, a small town on the Volga, between Kostroma and Nijni-Novgorod. The time is about the middle of the last century, and the month October.

There was trouble one day, in the palace of Prince Alexis, of Kinesma. This edifice, with its massive white walls, and its pyramidal roofs of green copper, stood upon a gentle mound to the eastward of the town, overlooking it, a broad stretch of the Volga, and the opposite shore. On a similar hill, to the westward, stood the church, glittering with its dozen bulging, golden domes. These two establishments divided the sovereignty of Kinesma between them.

Prince Alexis owned the bodies of the inhabitants, (with the exception of a few merchants and tradesmen,) and the Archimandrite Sergius owned their souls. But the shadow of the former stretched also over other villages, far beyond the ring of the wooded horizon. The number of his serfs was ten thousand, and his rule over them was even less disputed than theirs over their domestic animals.

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