Children of the Whirlwind

From the opening

It was an uninspiring bit of street: narrow, paved with cobble; hot and noisy in summer, reeking with unwholesome mud during the drizzling and snow-slimed months of winter. It looked anything this May after noon except a starting-place for drama. But, then, the great dramas of life often avoid the splendid estates and trappings with which conventional romance would equip them, and have their beginnings in unlikeliest environment; and thence sweep on to a noble, consuming tragedy, or to a glorious unfolding of souls. Life is a composite of contradictions--a puzzle to the wisest of us: the lily lifting its graceful purity aloft may have its roots in a dunghill. Samson's dead lion putrefying by a roadside is ever and again being found to be a storehouse of wild honey. We are too accustomed to the ordinary and the obvious to consider that beauty or worth may, after bitter travail, grow out of that which is ugly and unpromising.

Thus no one who looked on Maggie Carlisle and Larry Brainard at their beginnings, had even a guess what manner of persons were to develop from them or what their stories were to be.

The houses on the bit of street were all three-storied and all of a uniform, dingy, scaling redness. The house of the Duchess, on the left side as you came down the street toward the little Square which squatted beside the East River, differed from the others only in that three balls of tarnished gilt swung before it and unredeemed pledges emanated a weakly lure from behind its dirt-streaked windows, and also in that the personality of the Duchess gave the house something of a character of its own.

The street did business with her when pressed for funds, but it knew little definite about the Duchess except that she was shriveled and bent and almost wordless and was seemingly without emotions. But of course there were rumors.

A short sample. Read the whole book

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