Crotchet Castle

From the opening

THOMAS LOVE PEACOCK was born at Weymouth in 1785. His first poem, “The Genius of the Thames,” was in its second edition when he became one of the friends of Shelley. That was in 1812, when Shelley’s age was twenty, Peacock’s twenty-seven. The acquaintance strengthened, until Peacock became the friend in whose judgment Shelley put especial trust. There were many points of agreement. Peacock, at that time, shared, in a more practical way, Shelley’s desire for root and branch reform; both wore poets, although not equally gifted, and both loved Plato and the Greek tragedians. In “Crotchet Castle” Peacock has expressed his own delight in Greek literature through the talk of the Reverend Dr. Folliott.

But Shelley’s friendship for Peacock included a trust in him that was maintained by points of unlikeness. Peacock was shrewd and witty. He delighted in extravagance of a satire which usually said more than it meant, but always rested upon a foundation of good sense. Then also there was a touch of the poet to give grace to the utterances of a clear-headed man of the world. It was Peacock who gave its name to Shelley’s poem of “Alastor, or the Spirit of Solitude,” published in 1816. The “Spirit of Solitude” being treated as a spirit of evil, Peacock suggested calling it “Alastor,” since the Greek ἀλάστωρ means an evil genius.

Peacock’s novels are unlike those of other men: they are the genuine expressions of an original and independent mind. His reading and his thinking ran together; there is free quotation, free play of wit and satire, grace of invention too, but always unconventional. The story is always pleasant, although always secondary to the play of thought for which it gives occasion. He quarrelled with verse, whimsically but in all seriousness, in an article on “The Four Ages of Poetry,” contributed in 1820 to a short-lived journal, “Ollier’s Literary Miscellany.”

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