Library / History

Famous Affinities of History: The Romance of Devotion. Volume 2

by Lyndon Orr

Pages
about 108
Category
History
Language
English
Reading time
2 h at 250 wpm
Start readingThe whole book, as cards or one word at a time. 66 min at 450 wpm in Read mode.

From the opening

The English-speaking world long ago accepted a conventional view of Marie Antoinette. The eloquence of Edmund Burke in one brilliant passage has fixed, probably for all time, an enduring picture of this unhappy queen.

When we speak or think of her we speak and think first of all of a dazzling and beautiful woman surrounded by the chivalry of France and gleaming like a star in the most splendid court of Europe. And then there comes to us the reverse of the picture. We see her despised, insulted, and made the butt of brutal men and still more fiendish women; until at last the hideous tumbrel conveys her to the guillotine, where her head is severed from her body and her corpse is cast down into a bloody pool.

In these two pictures our emotions are played upon in turn--admiration, reverence, devotion, and then pity, indignation, and the shudderings of horror.

Probably in our own country and in England this will remain the historic Marie Antoinette. Whatever the impartial historian may write, he can never induce the people at large to understand that this queen was far from queenly, that the popular idea of her is almost wholly false, and that both in her domestic life and as the greatest lady in France she did much to bring on the terrors of that revolution which swept her to the guillotine.

In the first place, it is mere fiction that represents Maria Antoinette as having been physically beautiful. The painters and engravers have so idealized her face as in most cases to have produced a purely imaginary portrait.

She was born in Vienna, in 1755, the daughter of the Emperor Francis and of that warrior-queen, Maria Theresa. She was a very German-looking child. Lady Jackson describes her as having a long, thin face, small, pig-like eyes, a pinched-up mouth, with the heavy Hapsburg lip, and with a somewhat misshapen form, so that for years she had to be bandaged tightly to give her a more natural figure.

A short sample. Read the whole book

More to read

Public-domain text from Project Gutenberg, Standard Ebooks or a similar open source. Copyright differs between countries. Rights holder? See our takedown process.