Gerfaut — Volume 4

Name: Gerfaut — Volume 4
Author: Charles de Bernard

by Charles de Bernard

Pages: about 92
Category: Literature & Fiction
Language: English
Reading time: 1.7 h at 250 wpm

Start readingThe whole book, as cards or one word at a time. 56 min at 450 wpm in Read mode.

From the opening

Guests were seated that evening around the oval table in the dining-room of the castle of Bergenheim. According to custom, the ladies were not present at this repast. This was a custom which had been adopted by the Baroness for the suppers which were given by her husband at the close of his hunting parties; she dispensed with appearing at table on those days; perhaps she was too fastidious to preside at these lengthy seances of which the ruses of the hare, the death of the stag, and the feats of the hounds, formed the principal topics of conversation. It is probable that this conduct was duly appreciated by those who participated in those rather boisterous repasts, and that they felt a certain gratitude, in spite of the regrets they manifested on account of Madame's absence.
Among the guests was Marillac, whose sparkling eye, and cheeks even more rosy than usual, made him conspicuous. Seated between a fat notary and another boon companion, who were almost as drunk as he Marillac emptied glass after glass, red wine after the white, the white after the red, with noisy laughter, and jests of all kinds by way of accompaniment. His head became every moment more and more excited by the libations destined to refresh his throat, and his neighbors, without his perceiving the conspiracy, thought it would be good fun to put a Parisian dandy under the table. However, he was not the only one who was gliding over the slippery precipice that leads to the attractive abyss of drunkenness. The majority of the guests shared his imprudent abandon and progressive exaltation. A bacchic emulation reigned, which threatened to end in scenes bordering upon a debauch.
Among these highly colored cheeks, under which the wine seemed to circulate with the blood, these eyes shining with a dull, fictitious light, all this disorderly pantomime so contrary to the quiet habit of the gesticulators, two faces contrasted strangely with the careless mirth of the others.

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Gerfaut — Volume 4

From the opening

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