Library / Literature & Fiction

Liber Amoris, Or, The New Pygmalion
- Pages
- about 110
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 2 h at 250 wpm
From the opening
H. Oh! is it you? I had something to shew you—I have got a picture
here. Do you know any one it’s like?
H. That’s because you don’t see yourself with the same eyes that others
do. I don’t think it handsomer, and the expression is hardly so fine
as yours sometimes is.
S. Now you flatter me. Besides, the complexion is fair, and mine is
dark.
H. Thine is pale and beautiful, my love, not dark! But if your colour
were a little heightened, and you wore the same dress, and your hair
were let down over your shoulders, as it is here, it might be taken for
a picture of you. Look here, only see how like it is. The forehead is
like, with that little obstinate protrusion in the middle; the eyebrows
are like, and the eyes are just like yours, when you look up and
say—“No—never!”
H. I don’t know about that—I never heard you say so but once; but that
was once too often for my peace. It was when you told me, “you could
never be mine.” Ah! if you are never to be mine, I shall not long be
myself. I cannot go on as I am. My faculties leave me: I think of
nothing, I have no feeling about any thing but thee: thy sweet image
has taken possession of me, haunts me, and will drive me to
distraction. Yet I could almost wish to go mad for thy sake: for then I
might fancy that I had thy love in return, which I cannot live without!
S. Do not, I beg, talk in that manner, but tell me what this is a
picture of.
H. I hardly know; but it is a very small and delicate copy (painted in
oil on a gold ground) of some fine old Italian picture, Guido’s or
Raphael’s, but I think Raphael’s.
A short sample. Read the whole book
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