Library / Literature & Fiction

Penelope's Postscripts
- Pages
- about 109
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 2 h at 250 wpm
From the opening
SALEMINA and I were in Geneva. If you had ever travelled through Europe
with a charming spinster who never sat down at a Continental table
d’hôte without being asked by an American vis-à-vis whether she were
one of the P.’s of Salem, Massachusetts, you would understand why I call
my friend Salemina. She doesn’t mind it. She knows that I am simply
jealous because I came from a vulgarly large tribe that never had any
coat-of-arms, and whose ancestors always sealed their letters with their
thumb nails.
Whenever Francesca and I call her “Salemina,” she knows, and we know that
she knows, that we are seeing a group of noble ancestors in a sort of
halo over her serene and dignified head, so she remains unruffled under
her petit nom, inasmuch as the casual public comprehends nothing of its
spurious origin and thinks it was given her by her sponsors in baptism.
Francesca, Salemina, and I have very different backgrounds. The
first-named is an extremely pretty person of large income who is
travelling with us simply because her relatives think that she will “see
Europe” more advantageously under our chaperonage than if she were
accompanied by persons of her own age or “set.”
Salemina is a philanthropist and educator of the first rank, and is
collecting all sorts of valuable material to put at the service of her
own country when she returns to it, which will not be a moment before her
letter of credit is exhausted.
I, too, am quasi-educational, for I had a few years of experience in
mothering and teaching little waifs and strays of the streets before I
began to paint pictures. Never shall I regret those nerve-racking,
back-breaking, heart-warming, weary, and beautiful years, when, all
unconsciously, I was learning to paint children by living with them.
Even now the spell still works and it is the curly head, the “shining
morning face,” the ready tear, the glancing smile of childhood that
enchains me and gives my brush whatever skill it possesses.
A short sample. Read the whole book
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