Library / History

Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society

by Walter Bagehot

Pages
about 204
Category
History
Language
English
Reading time
3.7 h at 250 wpm
Start readingThe whole book, as cards or one word at a time. 2.1 h at 450 wpm in Read mode.

From the opening

NEW AND CHEAPER EDITION (also published in the International Scientific Series, crown 8vo. 5s.)

I. THE PRELIMINARY AGE II. THE USE OF CONFLICT III. NATION-MAKING IV. NATION-MAKING V. THE AGE OF DISCUSSION VI. VERIFIABLE PROGRESS POLITICALLY CONSIDERED

One peculiarity of this age is the sudden acquisition of much physical knowledge. There is scarcely a department of science or art which is the same, or at all the same, as it was fifty years ago. A new world of inventions--of railways and of telegraphs--has grown up around us which we cannot help seeing; a new world of ideas is in the air and affects us, though we do not see it. A full estimate of these effects would require a great book, and I am sure I could not write it; but I think I may usefully, in a few papers, show how, upon one or two great points, the new ideas are modifying two old sciences--politics and political economy. Even upon these points my ideas must be incomplete, for the subject is novel; but, at any rate, I may suggest some conclusions, and so show what is requisite even if I do not supply it.

If we wanted to describe one of the most marked results, perhaps the most marked result, of late thought, we should say that by it everything is made 'an antiquity.' When, in former times; our ancestors thought of an antiquarian, they described him as occupied with coins, and medals, and Druids' stones; these were then the characteristic records of the decipherable past, and it was with these that decipherers busied themselves. But now there are other relics; indeed, all matter is become such. Science tries to find in each bit of earth the record of the causes which made it precisely what it is; those forces have left their trace, she knows, as much as the tact and hand of the artist left their mark on a classical gem.

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