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Quotations from the Project Gutenberg Editions of the Works of John Galsworthy

by John Galsworthy

Pages
about 39
Category
Literature & Fiction
Language
English
Reading time
43 min at 250 wpm
Start readingThe whole book, as cards or one word at a time. 24 min at 450 wpm in Read mode.

From the opening

These extracts are paragraphs and short phrases which it is hoped may entice readers unfamiliar with Galsworthy to look over the books of this Nobel Prize winning author. Readers well acquainted with his works may wish to see if their favorite passages are listed in this selection. The etext editor will be glad to add your suggestions. One of the advantages of internet over paper publication is the ease of quick revision.

All the titles may be found using the Project Gutenberg search engine. After downloading a specific file, the location and complete context of the quotations may be found by inserting a small part of the quotation into the 'Find' or 'Search' functions of the user's word processing program.

The quotations are in two formats: 1. Small passages from the text. 2. An alphabetized list of one-liners.

The editor may be contacted at <widger@cecomet.net> for comments, questions or suggested additions to these extracts.

The simple truth, which underlies the whole story, that where sex attraction is utterly and definitely lacking in one partner to a union, no amount of pity, or reason, or duty, or what not, can overcome a repulsion implicit in Nature.

The tragedy of whose life is the very simple, uncontrollable tragedy of being unlovable, without quite a thick enough skin to be thoroughly unconscious of the fact. Not even Fleur loves Soames as he feels he ought to be loved. But in pitying Soames, readers incline, perhaps, to animus against Irene: After all, they think, he wasn't a bad fellow, it wasn't his fault; she ought to have forgiven him, and so on!

"Let the dead Past bury its dead" would be a better saying if the Past ever died. The persistence of the Past is one of those tragi-comic blessings which each new age denies, coming cocksure on to the stage to mouth its claim to a perfect novelty.

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