Library / Literature & Fiction

Rejected Addresses; Or, The New Theatrum Poetarum
by James Smith
- Pages
- about 105
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 1.9 h at 250 wpm
From the opening
“I think the ‘Rejected Addresses’ by far the best thing of the kind
since ‘The Rolliad,’ and wish you had published them. Tell the
author ‘I forgive him, were he twenty times over our satirist;’ and
think his imitations not at all inferior to the famous ones of
Hawkins Browne.”
“I take the ‘Rejected Addresses’ to be the very best imitations (and
often of difficult originals) that ever were made; and considering
their great extent and variety, to indicate a talent to which I do
not know where to look for a parallel. Some few of them descend to
the level of parodies; but by far the greater part are of a much
higher description.”
JAMES SMITH and HORACE SMITH, authors of the Rejected Addresses; or,
The New Theatrum Poetarum, were the sons of Robert Smith, solicitor to
the Board of Ordnance. James was born at No. 36, Basinghall Street,
London, on the 10th of February, 1775; and Horace in the same house on
the 31st of December, 1779.
James was educated under the Rev. Mr. Burford at Chigwell in Essex;
articled to his father on leaving school, subsequently taken into
partnership with him, and eventually succeeded to his father’s business,
as well as his appointment of solicitor to the Ordnance. Horace received
the same education as his brother, became a member of the Stock Exchange
in London, acquired a fortune, and retired with his wife and family to
Brighton. James, who lived and died single, was the author of several
small copies of verses, since collected by his brother; and Horace was
the author of “Brambletye House,” a novel in three volumes, well received
at the time of its publication.
The work by which the brothers are best known, and by which they will
long continue to be remembered, is the Rejected Addresses. This
delightful volume—one of the luckiest hits in literature—appeared on the
re-opening of Drury Lane Theatre, in October, 1812; the idea, as Horace
relates, having been casualty started by the late Mr.
A short sample. Read the whole book
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