Sandra Belloni — Volume 3

From the opening

XVIII. RETURN OF THE SENTIMENTALIST INTO BONDAGE XIX. LIFE AT BROOKFIELD. XX. BY WILMING WEIR XXI. RETURN OF MR. PERICLES XXII. THE PITFALL OF SENTIMENT XXIII. WILFRID DIPLOMATIZES XXIV. EMILIA MAKES A MOVE XXV. A FARCE WITHIN A FARCE

Meantime Wilfrid was leading a town-life and occasionally visiting Stornley. He was certainly not in love with Lady Charlotte Chillingworth, but he was in harness to that lady. In love we have some idea whither we would go: in harness we are simply driven, and the destination may be anywhere. To be reduced to this condition (which will happen now and then in the case of very young men who are growing up to something, and is, if a momentary shame to them, rather a sign of promise than not) the gentle male need not be deeply fascinated. Lady Charlotte was not a fascinating person. She did not lay herself out to attract. Had she done so, she would have failed to catch Wilfrid, whose soul thirsted for poetical refinement and filmy delicacies in a woman. What she had, and what he knew that he wanted, and could only at intervals assume by acting as if he possessed it, was a victorious aplomb, which gave her a sort of gallant glory in his sight. He could act it well before his sisters, and here and there a damsel; and coming fresh from Lady Charlotte's school, he had recently done so with success, and had seen the ladies feel toward him, as he felt under his instructress in the art. Some nature, however, is required for every piece of art. Wilfrid knew that he had been brutal in his representation of the part, and the retrospect of his conduct at Brookfield did not satisfy his remorseless critical judgement. In consequence, when he again saw Lady Charlotte, his admiration of that one prized characteristic of hers paralyzed him. She looked, and moved, and spoke, as if the earth were her own.

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