Song and Legend from the Middle Ages

Name: Song and Legend from the Middle Ages
Author: William Darnall, 1858-1936 [Compiler] MacClintock

by William Darnall, 1858-1936 [Compiler] MacClintock

Pages: about 154
Category: Literature & Fiction
Language: English
Reading time: 2.8 h at 250 wpm

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From the opening

The aim of this little book is to give general readers some idea of the subject and spirit of European Continental literature in the later and culminating period of the Middle Ages--the eleventh, twelfth, and thirteenth centuries.
It goes without saying that translations and selections are, in general, inadequate to the satisfactory representation of any literature. No piece of writing, of course, especially no piece of poetry, can be perfectly rendered into another tongue; no piece of writing can be fairly represented by detached portions. But to the general English reader Continental Mediaeval literature, so long as it remains in the original tongues, is inaccessible; and translations of many entire works are not within easy reach.
What translation and selection can do in this case, is to put into the hands of the ordinary student of the Middle Ages sufficient material for forming an estimate of the subjects that interested the mediaeval mind and the spirit in which they were treated. And this is what the general reader desires. Matters of form and expression--the points that translation cannot reproduce--belong, of course, to the specialist.
The claim that so slender a volume of selections can represent even the subject and spirit of so vast a body of literature, is saved from being unreasonable or presumptuous by a consideration of the fact that, from causes easy to trace, the national literatures of Continental Europe had many common characteristics: the range of subjects was not unlimited; the spirit is the same in all.
No English is included for two reasons: Mediaeval English literature is easily accessible to those readers for whom this book is prepared; during the special period in which the best mediaeval literature was developed, England was comparatively unproductive.
The constant aim has been to put before the reader the literature itself, with comment barely sufficient to make an intelligible setting for the selections. Criticism of all kinds has been avoided, so that the reader may come to his material with judgment entirely unbiased.

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Song and Legend from the Middle Ages

From the opening

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