
Studies and Essays: Censorship and Art
- Pages
- about 34
- Category
- Philosophy
- Language
- English
- Reading time
- 37 min at 250 wpm
From the opening
Since, time and again, it has been proved, in this country of free
institutions, that the great majority of our fellow-countrymen consider
the only Censorship that now obtains amongst us, namely the Censorship of
Plays, a bulwark for the preservation of their comfort and sensibility
against the spiritual researches and speculations of bolder and too
active spirits--it has become time to consider whether we should not
seriously extend a principle, so grateful to the majority, to all our
institutions.
For no one can deny that in practice the Censorship of Drama works with a
smooth swiftness--a lack of delay and friction unexampled in any public
office. No troublesome publicity and tedious postponement for the
purpose of appeal mar its efficiency. It is neither hampered by the Law
nor by the slow process of popular election. Welcomed by the
overwhelming majority of the public; objected to only by such persons as
suffer from it, and a negligible faction, who, wedded pedantically to
liberty of the subject, are resentful of summary powers vested in a
single person responsible only to his own 'conscience'--it is amazingly,
triumphantly, successful.
Why, then, in a democratic State, is so valuable a protector of the will,
the interests, and pleasure of the majority not bestowed on other
branches of the public being? Opponents of the Censorship of Plays have
been led by the absence of such other Censorships to conclude that this
Office is an archaic survival, persisting into times that have outgrown
it. They have been known to allege that the reason of its survival is
simply the fact that Dramatic Authors, whose reputation and means of
livelihood it threatens, have ever been few in number and poorly
organised--that the reason, in short, is the helplessness and weakness of
the interests concerned. We must all combat with force such an aspersion
on our Legislature.
A short sample. Read the whole book
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