Library / Literature & Fiction

The Art of Lawn Tennis
- Pages
- about 181
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 3.3 h at 250 wpm
From the opening
Tennis is at once an art and a science. The game as played by
such men as Norman E. Brookes, the late Anthony Wilding, William
M. Johnston, and R. N. Williams is art. Yet like all true art, it
has its basis in scientific methods that must be learned and
learned thoroughly for a foundation before the artistic structure
of a great tennis game can be constructed.
Every player who helps to attain a high degree of efficiency
should have a clearly defined method of development and adhere to
it. He should be certain that it is based on sound principles
and, once assured of that, follow it, even though his progress
seems slow and discouraging.
I began tennis wrong. My strokes were wrong and my viewpoint
clouded. I had no early training such as many of our American
boys have at the present time. No one told me the importance of
the fundamentals of the game, such as keeping the eye on the ball
or correct body position and footwork. I was given a racquet and
allowed to hit the ball. Naturally, like all beginners, I
acquired many very serious faults. I worried along with moderate
success until I had been graduated from school, beating some
fairly good players, but losing some matches to men below my
class. The year following my graduation the new Captain of my
Alma Mater's team asked me if I would aid him in developing the
squad for next year. Well, "Fools rush in where angels fear to
tread," so I said Yes.
The youngsters comprising our tennis squad all knew me well and
felt at perfect liberty to ask me as many questions as they could
think up. I was besieged with requests to explain why Jones
missed a forehand drive down the side-line, or Smith couldn't
serve well, or Brown failed to hit the ball at all.
A short sample. Read the whole book
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