Library / Literature & Fiction

The Confession of a Child of the Century — Volume 1
- Pages
- about 119
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 2.2 h at 250 wpm
From the opening
A poet has no right to play fast and loose with his genius. It does not
belong to him, it belongs to the Almighty; it belongs to the world and to
a coming generation. At thirty De Musset was already an old man, seeking
in artificial stimuli the youth that would not spring again. Coming from
a literary family the zeal of his house had eaten him up; his passion had
burned itself out and his heart with it. He had done his work; it
mattered little to him or to literature whether the curtain fell on his
life's drama in 1841 or in 1857.
Alfred de Musset, by virtue of his genial, ironical temperament,
eminently clear brain, and undying achievements, belongs to the great
poets of the ages. We to-day do not approve the timbre of his epoch:
that impertinent, somewhat irritant mask, that redundant rhetoric, that
occasional disdain for the metre. Yet he remains the greatest poete de
l'amour, the most spontaneous, the most sincere, the most emotional
singer of the tender passion that modern times has produced.
Born of noble parentage on December 11, 1810--his full name being Louis
Charles Alfred de Musset--the son of De Musset-Pathai, he received his
education at the College Henri IV, where, among others, the Duke of
Orleans was his schoolmate. When only eighteen he was introduced into
the Romantic 'cenacle' at Nodier's. His first work, 'Les Contes
d'Espagne et d'Italie' (1829), shows reckless daring in the choice of
subjects quite in the spirit of Le Sage, with a dash of the dandified
impertinence that mocked the foibles of the old Romanticists. However,
he presently abandoned this style for the more subjective strain of 'Les
Voeux Steyiles, Octave, Les Secretes Pensees de Rafael, Namouna, and
Rolla', the last two being very eloquent at times, though immature.
A short sample. Read the whole book
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