Library / Literature & Fiction

The Galleries of the Exposition
- Pages
- about 94
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 1.7 h at 250 wpm
From the opening
The artistic appeals of the Panama-Pacific International Exposition
through architecture and the allied decorative arts are so engrossing
that one yields to the call of the independent Fine Arts only with
considerable reluctance. The visitor, however, finds himself cleverly
tempted by numerous stray bits of detached sculpture, effectively placed
amidst shrubbery near the Laguna, and almost without knowing he is drawn
into that enchanting colonnade which leads one to the spacious portals
of the Palace of Fine Arts.
It was a vast undertaking to gather such numbers of pictures together,
but the reward was great - not only to have gratified one's sense of
beauty, but to have contributed toward a broader civilization, on the
Pacific Coast specifically, and for the world in general besides. It
must be admitted that it was no small task, in the face of many very
unusual adverse circumstances, to bring together here the art of the
world. Mr. John E. D. Trask deserves unstinted praise for the
perseverance with which, under most trying circumstances, unusual enough
to defeat almost any collective undertaking, he brought together this
highly creditable collection of art. Wartime conditions abroad and the
great distance to the Pacific Coast, not to speak of difficulties of
physical transportation, called for a singularly capable executive, such
as John E. D. Trask has proved himself to be, and the world should
gratefully acknowledge a big piece of work well done. I do not believe
the art exhibition needs any apologies. Its general character is such as
fully to satisfy the standards of former international expositions.
It seems only rational that, with the notorious absence of any important
permanent exhibition of works of art on the Pacific Coast, an effort
should have been made to present within the exhibit the development of
the art of easel painting since its inception, because it seems
impossible to do justice to any phase of art without an opportunity of
comparison, such as the exposition affords.
A short sample. Read the whole book
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