Library / Literature & Fiction

The Hairy Ape
- Pages
- about 56
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 61 min at 250 wpm
From the opening
ROBERT SMITH, "YANK"
PADDY
LONG
MILDRED DOUGLAS
HER AUNT
SECOND ENGINEER
A GUARD
A SECRETARY OF AN ORGANIZATION
STOKERS, LADIES, GENTLEMEN, ETC.
SCENE--The firemen's forecastle of a transatlantic liner an hour after
sailing from New York for the voyage across. Tiers of narrow, steel
bunks, three deep, on all sides. An entrance in rear. Benches on the
floor before the bunks. The room is crowded with men, shouting,
cursing, laughing, singing--a confused, inchoate uproar swelling into a
sort of unity, a meaning--the bewildered, furious, baffled defiance of
a beast in a cage. Nearly all the men are drunk. Many bottles are
passed from hand to hand. All are dressed in dungaree pants, heavy ugly
shoes. Some wear singlets, but the majority are stripped to the waist.
The treatment of this scene, or of any other scene in the play, should
by no means be naturalistic. The effect sought after is a cramped space
in the bowels of a ship, imprisoned by white steel. The lines of bunks,
the uprights supporting them, cross each other like the steel framework
of a cage. The ceiling crushes down upon the men's heads. They cannot
stand upright. This accentuates the natural stooping posture which
shovelling coal and the resultant over-development of back and shoulder
muscles have given them. The men themselves should resemble those
pictures in which the appearance of Neanderthal Man is guessed at. All
are hairy-chested, with long arms of tremendous power, and low,
receding brows above their small, fierce, resentful eyes. All the
civilized white races are represented, but except for the slight
differentiation in color of hair, skin, eyes, all these men are alike.
The curtain rises on a tumult of sound. YANK is seated in the
foreground. He seems broader, fiercer, more truculent, more powerful,
more sure of himself than the rest. They respect his superior
strength--the grudging respect of fear. Then, too, he represents to
them a self-expression, the very last word in what they are, their most
highly developed individual.
A short sample. Read the whole book
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