The Man of Destiny

From the opening

The twelfth of May, 1796, in north Italy, at Tavazzano, on the road from Lodi to Milan. The afternoon sun is blazing serenely over the plains of Lombardy, treating the Alps with respect and the anthills with indulgence, not incommoded by the basking of the swine and oxen in the villages nor hurt by its cool reception in the churches, but fiercely disdainful of two hordes of mischievous insects which are the French and Austrian armies. Two days before, at Lodi, the Austrians tried to prevent the French from crossing the river by the narrow bridge there; but the French, commanded by a general aged 27, Napoleon Bonaparte, who does not understand the art of war, rushed the fireswept bridge, supported by a tremendous cannonade in which the young general assisted with his own hands. Cannonading is his technical specialty; he has been trained in the artillery under the old regime, and made perfect in the military arts of shirking his duties, swindling the paymaster over travelling expenses, and dignifying war with the noise and smoke of cannon, as depicted in all military portraits. He is, however, an original observer, and has perceived, for the first time since the invention of gunpowder, that a cannon ball, if it strikes a man, will kill him. To a thorough grasp of this remarkable discovery, he adds a highly evolved faculty for physical geography and for the calculation of times and distances. He has prodigious powers of work, and a clear, realistic knowledge of human nature in public affairs, having seen it exhaustively tested in that department during the French Revolution. He is imaginative without illusions, and creative without religion, loyalty, patriotism or any of the common ideals. Not that he is incapable of these ideals: on the contrary, he has swallowed them all in his boyhood, and now, having a keen dramatic faculty, is extremely clever at playing upon them by the arts of the actor and stage manager. Withal, he is no spoiled child.

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