Library / Literature & Fiction

The Ordeal of Richard Feverel — Volume 4

by George Meredith

Pages
about 98
Category
Literature & Fiction
Language
English
Reading time
1.8 h at 250 wpm
Start readingThe whole book, as cards or one word at a time. 60 min at 450 wpm in Read mode.

From the opening

XXVIII. RELATES HOW PREPARATIONS FOR ACTION WERE CONDUCTED UNDER THE APRIL OF LOVERS XIX. IN WHICH THE LAST ACT OF THE COMEDY TAKES THE PLACE OF THE FIRST XXX. CELEBRATES THE BREAKFAST XXXI. THE PHILOSOPHER APPEARS IN PERSON XXXII. PROCESSION OF THE CAKE XXXIII. NURSING THE DEVIL

Beauty, of course, is for the hero. Nevertheless, it is not always he on whom beauty works its most conquering influence. It is the dull commonplace man into whose slow brain she drops like a celestial light, and burns lastingly. The poet, for instance, is a connoisseur of beauty: to the artist she is a model. These gentlemen by much contemplation of her charms wax critical. The days when they had hearts being gone, they are haply divided between the blonde and the brunette; the aquiline nose and the Proserpine; this shaped eye and that. But go about among simple unprofessional fellows, boors, dunderheads, and here and there you shall find some barbarous intelligence which has had just strength enough to conceive, and has taken Beauty as its Goddess, and knows but one form to worship, in its poor stupid fashion, and would perish for her. Nay, more: the man would devote all his days to her, though he is dumb as a dog. And, indeed, he is Beauty's Dog. Almost every Beauty has her Dog. The hero possesses her; the poet proclaims her; the painter puts her upon canvas; and the faithful Old Dog follows her: and the end of it all is that the faithful Old Dog is her single attendant. Sir Hero is revelling in the wars, or in Armida's bowers; Mr. Poet has spied a wrinkle; the brush is for the rose in its season. She turns to her Old Dog then.

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