Library / Literature & Fiction

The Poet at the Breakfast-Table
- Pages
- about 390
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 7.2 h at 250 wpm
From the opening
In this, the third series of Breakfast-Table conversations, a slight
dramatic background shows off a few talkers and writers, aided by
certain silent supernumeraries. The machinery is much like that of
the two preceding series. Some of the characters must seem like old
acquaintances to those who have read the former papers. As I read these
over for the first time for a number of years, I notice one character;
presenting a class of beings who have greatly multiplied during
the interval which separates the earlier and later Breakfast-Table
papers,--I mean the scientific specialists. The entomologist, who
confines himself rigidly to the study of the coleoptera, is intended
to typify this class. The subdivision of labor, which, as we used to
be told, required fourteen different workmen to make a single pin,
has reached all branches of knowledge. We find new terms in all the
Professions, implying that special provinces have been marked off, each
having its own school of students. In theology we have many curious
subdivisions; among the rest eschatology, that is to say, the geography,
geology, etc., of the “undiscovered country;” in medicine, if the
surgeon who deals with dislocations of the right shoulder declines to
meddle with a displacement on the other side, we are not surprised, but
ring the bell of the practitioner who devotes himself to injuries of the
left shoulder.
On the other hand, we have had or have the encyclopaedic intelligences
like Cuvier, Buckle, and more emphatically Herbert Spencer, who take all
knowledge, or large fields of it, to be their province. The author of
“Thoughts on the Universe” has something in common with these, but he
appears also to have a good deal about him of what we call the humorist;
that is, an individual with a somewhat heterogeneous personality, in
which various distinctly human elements are mixed together, so as to
form a kind of coherent and sometimes pleasing whole, which is to a
symmetrical character as a breccia is to a mosaic.
A short sample. Read the whole book
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