The Poetics of Aristotle

From the opening

[Transcriber's Annotations and Conventions: the translator left intact some Greek words to illustrate a specific point of the original discourse. In this transcription, in order to retain the accuracy of this text, those words are rendered by spelling out each Greek letter individually, such as {alpha beta gamma delta...}. The reader can distinguish these words by the enclosing braces {}. Where multiple words occur together, they are separated by the "/" symbol for clarity. Readers who do not speak or read the Greek language will usually neither gain nor lose understanding by skipping over these passages. Those who understand Greek, however, may gain a deeper insight to the original meaning and distinctions expressed by Aristotle.]

I 'Imitation' the common principle of the Arts of Poetry. II The Objects of Imitation. III The Manner of Imitation. IV The Origin and Development of Poetry. V Definition of the Ludicrous, and a brief sketch of the rise of Comedy. VI Definition of Tragedy. VII The Plot must be a Whole. VIII The Plot must be a Unity. IX (Plot continued.) Dramatic Unity. X (Plot continued.) Definitions of Simple and Complex Plots. XI (Plot continued.) Reversal of the Situation, Recognition, and Tragic or disastrous Incident defined and explained. XII The 'quantitative parts' of Tragedy defined. XIII (Plot continued.) What constitutes Tragic Action. XIV (Plot continued.) The tragic emotions of pity and fear should spring out of the Plot itself. XV The element of Character in Tragedy. XVI (Plot continued.) Recognition: its various kinds, with examples. XVII Practical rules for the Tragic Poet. XVIII Further rules for the Tragic Poet. XIX Thought, or the Intellectual element, and Diction in Tragedy. XX Diction, or Language in general. XXI Poetic Diction. XXII (Poetic Diction continued.) How Poetry combines elevation of language with perspicuity. XXIII Epic Poetry. XXIV (Epic Poetry continued.) Further points of agreement with Tragedy. XXV Critical Objections brought against Poetry, and the principles on which they are to be answered. XXVI A general estimate of the comparative worth of Epic Poetry and Tragedy.

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