Library / Literature & Fiction

The Renaissance: Studies in Art and Poetry
by Walter Pater
- Pages
- about 214
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 3.9 h at 250 wpm
From the opening
Many attempts have been made by writers on art and poetry to define
beauty in the abstract, to express it in the most general terms, to find
a universal formula for it. The value of these attempts has most often
been in the suggestive and penetrating things said by the way. Such
discussions help us very little to enjoy what has been well done in art
or poetry, to discriminate between what is more and what is less
excellent in them, or to use words like beauty, excellence, art, poetry,
with a more precise meaning than they would otherwise have. Beauty, like
all other qualities presented to human experience, is relative; and the
definition of it becomes unmeaning and useless in proportion to its
abstractness. To define beauty, not in the most abstract, but in the
most concrete terms possible, to find, not a universal formula for it,
but the formula which expresses most adequately this or that special
manifestation of it, is the aim of the true student of aesthetics.
"To see the object as in itself it really is," has been justly said to
be the aim of all true criticism whatever; and in aesthetic criticism
the first step towards seeing one's object as it really is, is to know
one's own impression as it really is, to discriminate it, to realise it
distinctly. The objects with which aesthetic criticism deals--music,
poetry, artistic and accomplished forms of human life--are indeed
receptacles of so many powers or forces: they possess, like the products
of nature, so many virtues or qualities. What is this song or picture,
this engaging personality presented in life or in a book, to ME? What
effect does it really produce on me? Does it give me pleasure? and if
so, what sort or degree of pleasure? How is my nature modified by its
presence, and under its influence?
A short sample. Read the whole book
More to read
- "Captains Courageous": A Story of the Grand BanksRudyard KiplingLiterature & Fiction191 pages
- "Captains Courageous": A Story of the Grand BanksRudyard KiplingLiterature & Fiction191 pages
- "I Say No"Wilkie CollinsLiterature & Fiction428 pages
- "Miss Lou"Edward Payson RoeLiterature & Fiction409 pages
- "Speaking of Operations--"Irvin S. CobbLiterature & Fiction37 pages
Public-domain text from Project Gutenberg, Standard Ebooks or a similar open source. Copyright differs between countries. Rights holder? See our takedown process.