Library / Literature & Fiction

Three hundred Aesop’s fables Translated by George Fyler Townsend
by Aesop
- Pages
- about 157
- Category
- Literature & Fiction
- Language
- English
- Reading time
- 2.9 h at 250 wpm
From the opening
The Tale, the Parable, and the Fable are all common and popular modes
of conveying instruction. Each is distinguished by its own special
characteristics. The Tale consists simply in the narration of a story
either founded on facts, or created solely by the imagination, and not
necessarily associated with the teaching of any moral lesson. The
Parable is the designed use of language purposely intended to convey a
hidden and secret meaning other than that contained in the words
themselves; and which may or may not bear a special reference to the
hearer, or reader. The Fable partly agrees with, and partly differs
from both of these. It will contain, like the Tale, a short but real
narrative; it will seek, like the Parable, to convey a hidden meaning,
and that not so much by the use of language, as by the skilful
introduction of fictitious characters; and yet, unlike to either Tale
or Parable, it will ever keep in view, as its high prerogative, and
inseparable attribute, the great purpose of instruction, and will
necessarily seek to inculcate some moral maxim, social duty, or
political truth. The true Fable, if it rise to its high requirements,
ever aims at one great end and purpose—the representation of human
motive, and the improvement of human conduct, and yet it so conceals
its design under the disguise of fictitious characters, by clothing
with speech the animals of the field, the birds of the air, the trees
of the wood, or the beasts of the forest, that the reader shall receive
advice without perceiving the presence of the adviser. Thus the
superiority of the counsellor, which often renders counsel unpalatable,
is kept out of view, and the lesson comes with the greater acceptance
when the reader is led, unconsciously to himself, to have his
sympathies enlisted in behalf of what is pure, honourable, and
praiseworthy, and to have his indignation excited against what is low,
ignoble, and unworthy. The true fabulist, therefore, discharges a most
important function.
A short sample. Read the whole book
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