
Philebus
by Plato
- Pages
- about 165
- Category
- Philosophy
- Language
- English
- Reading time
- 3 h at 250 wpm
From the opening
The Philebus appears to be one of the later writings of Plato, in which
the style has begun to alter, and the dramatic and poetical element
has become subordinate to the speculative and philosophical. In the
development of abstract thought great advances have been made on the
Protagoras or the Phaedrus, and even on the Republic. But there is a
corresponding diminution of artistic skill, a want of character in the
persons, a laboured march in the dialogue, and a degree of confusion and
incompleteness in the general design. As in the speeches of Thucydides,
the multiplication of ideas seems to interfere with the power of
expression. Instead of the equally diffused grace and ease of the
earlier dialogues there occur two or three highly-wrought passages;
instead of the ever-flowing play of humour, now appearing, now
concealed, but always present, are inserted a good many bad jests, as
we may venture to term them. We may observe an attempt at artificial
ornament, and far-fetched modes of expression; also clamorous demands
on the part of his companions, that Socrates shall answer his own
questions, as well as other defects of style, which remind us of the
Laws. The connection is often abrupt and inharmonious, and far from
clear. Many points require further explanation; e.g. the reference of
pleasure to the indefinite class, compared with the assertion which
almost immediately follows, that pleasure and pain naturally have their
seat in the third or mixed class: these two statements are unreconciled.
In like manner, the table of goods does not distinguish between the
two heads of measure and symmetry; and though a hint is given that the
divine mind has the first place, nothing is said of this in the final
summing up. The relation of the goods to the sciences does not appear;
though dialectic may be thought to correspond to the highest good, the
sciences and arts and true opinions are enumerated in the fourth class.
A short sample. Read the whole book
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